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Detaljer om materialet
Type
Cd (musik)
Format
1 cd, 1 kommentarbilag
Genre
andre koncerter
Emneord
Emnetal
78.412
Bidrag af
Indhold
Koncert for klarinet og orkester, B-durConcertino for klarinet, fagot og orkester, B-dur, opus 47Mitridate, Rè di PontoFantasi for klarinet og orkester over La ci darem la mano fra Mozarts Don JuanDon JuanKoncert for klarinet og orkester nr. 7, Es-dur
Beskrivelse
Indspillet i Berlin 2016
Forlag
Decca Music Group
Målgruppe
voksenmaterialer
Anmeldelser
Diapason, 2017 avril
Vurdering: 5/5
Presto classical, 2017
"Ottensamer presents a dazzling selection of the clarinet's early repertoire from 18th Century Mannheim, with works by J. and C.P. Stamitz, Mozart and Danzi, together with the Kammerakademie Potsdam. Featuring duets with Albrecht Mayer and Emmanuel Pahud - two of the great wind soloists of our time and Ottensamer's friends and colleagues at the Berliner Philharmoniker. It promises to be the chamber recording of the year"
Presto classical, 2017
Kulturradio RBB, 2017-03-16
"Hier kann er alles zeigen: seine unglaublich geläufige Technik. Das läuft, dass es eine Freude ist ... Die Kammerakademie ist inzwischen hochgradig fit, gerade in dieser Epoche. Sie spielen das sehr, sehr durchsichtig ... Andreas Ottensamer ist einer der besten Klarinettisten momentan, das stellt er hier technisch wie melodiös aus ... Ein tolles Album, auf dem herausragende Kollegen mitspielen"
Kulturradio RBB, 2017-03-16
The gramophone, 2017 April
"It would be hard to imagine classier performances than these. With his velvet, sensuous tone and minute control of dynamics, Ottensamer surely has few peers among today's clarinettists ... A perfect disc for any clarinet lover who fancies 70 minutes of mellifluous, tension-free listening"
Fono Forum, 2017 Mai
"Vurdering: Empfehlungen des Monats. Zusammen mit der bestens aufgelegten Kammerakademie Potsdam gelang ein Mannheim-Portrait der Extraklasse"
BBC music magazine, 2017 June
"There are tinges of exoticism in a couple of moments near the start of the elder Stamitz's concerto, but their promise isn't really fulfilled ... No less formulaic is the concerto by Carl Philipp, but there's more personality in the pieces by Danzi ... Ottensamer plays with admirable virtuosity throughout"