Philip Roth's [The Counterlife] is so formidably good, and so perversely surprising, that it prompts a question: How did he get here? How did he wind up with this? Over the space of ten books and almost twenty years Roth has endured an odd kind of impatience from his public, an impatience resembling pique or obscurely hurt feelings. The reason for this seems to me quite straightforward ...
Detaljer om materialet
Type
Artikel
Findes i
DISCovering Authors
Sprog
Engelsk
Emneord
Omfang
Israel
Beskrivelse
Gale in Context: High School
Forlag
Gale
Målgruppe
voksenmaterialergymnasieniveau